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April 2015 Ina popular dance known as Casino was marketed abroad as Cuban-style salsa or Salsa Cubana to distinguish it from other salsa styles when the name was popularized in the 1970s.
Dancing Casino is an expression of popular social culture; Many Cubans consider casino a part salsa casino social venezuela 2019 their social and cultural activities centering on their popular music.
The origins of the name Casino are casinos deportivos, the dance halls where a lot of social dancing was done among the better off, white Cubans during the mid-1950s and onward.
Historically, Casino traces its origin as a fromfused with partner figures and turns adopted from the, and North American.
As with Son, andit is traditionally, though less often today, danced a contratiempo.
This means that, distinct from subsequent forms of salsa, no step is taken on the first and fifth beats in each pattern and the fourth and eighth beat are emphasised.
In this way, rather than following a beat, the dancers themselves contribute in their movement, to the pattern of the music.
What gives the dance its life, however, is not its mechanical technique, but understanding and spontaneous use of the rich Afro-Cuban dance vocabulary within a Casino dance.
In the same way that a sonero lead singer in Son and Salsa bands may "quote" other, older songs salsa casino social venezuela 2019 their own, a Casino dancer frequently improvises references to other dances, integrating movements, gestures and extended passages from the folkloric and popular heritage.
This is particularly true of African descended Cubans.
Such improvisations might include extracts ofdances for Salsa casino social venezuela 2019 deities, the older popular dances such as Cha Cha Cha and Danzón as well as anything the dancer may feel.
Much of the interplay of Casino style dancing is based on the broader Afro-Caribbean cultural context with emphasis on sexual interplay, teasing and everyday experience.
Geographically, in Latin America, Https://sibtao.ru/2019/moncton-casino-2019.html and its variants are danced in Cuba, theand.
It is also popular in and parts of.
This is distinctive from the North American Salsa styles which is danced in a slot two points and linear positions as taught by the North American and European dance studios.
Casino has a strong basic step known as guapea "swagger"also known as pausa, in which the male puts his left foot behind this web page the break, which is a contrast to salsa casino social venezuela 2019 most common basic Salsa step, in which the lead places his left foot forward.
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Additionally, several couples can come together to dance choreographed moves with changes of partners, led by a caller and known as "rueda de casino".
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These schools often mistakenly idenfitify the dance as "casino rueda" or "salsa rueda", both incorrect terms.
By using this site, you agree to the and.
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Salsa (dance) - Wikipedia
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April 2015 Ina popular pogo spooky slots 2019 known as Casino was marketed abroad as Cuban-style salsa or Salsa casino social venezuela 2019 Cubana to distinguish it from other salsa styles when the name was popularized in the 1970s.
Dancing Casino is an expression of popular social culture; Many Cubans consider casino a part of their social and cultural activities centering on their popular music.
The origins of the name Casino are casinos deportivos, the dance halls where a lot of social dancing was done among the better off, white Cubans during the mid-1950s and onward.
Historically, Casino traces its origin as a fromfused with partner figures and turns adopted from the, and North American.
As with Salsa casino social venezuela 2019, andit is traditionally, though less often today, danced a salsa casino social venezuela 2019 />This means that, distinct from subsequent forms of salsa, no step is taken on the first and fifth beats in each pattern and the fourth and eighth beat are emphasised.
In this way, rather than following a beat, the dancers themselves contribute in their movement, to the pattern of the music.
What gives the dance its life, however, is not its mechanical technique, but understanding and spontaneous use of the rich Afro-Cuban dance vocabulary within a Casino dance.
In the same way that a sonero lead singer in Son and Salsa bands may "quote" other, older songs in their own, holidays 2019 deposit Casino dancer frequently improvises references to other dances, integrating movements, gestures and extended passages from the folkloric and popular heritage.
This is particularly true of African descended Cubans.
Such improvisations might include extracts ofdances for African deities, the older popular dances such as Cha Cha Cha and Danzón as well as anything the dancer may feel.
Much of the interplay of Casino style dancing is based on the broader Afro-Caribbean cultural context with emphasis on sexual interplay, teasing and everyday experience.
Geographically, in Latin America, Casino and its variants are danced in Cuba, theand.
It is also popular in and parts of.
This is distinctive from the North American Salsa styles which is danced in a slot two points and linear positions as taught by the North American and European dance studios.
Casino has a strong basic step known as guapea "swagger"also known as pausa, in which the male puts his left foot behind on the break, which is a contrast to the most common basic Salsa step, in which the lead places his left foot forward.
Casino styling includes men being "" and women being femininely sexy, with major body and muscle isolations, through the influence of dancing.
During the dance, dancers often break from each other during percussion solos and perform the despelote, an advanced form of styling in which the salsa casino social venezuela 2019 and female partner get physically close and tease each other without touching through the gyrating of hips and shoulders while performing muscle isolations.
The major distinction of Casino Styling is that male partners have tendencies to show off following Afro-Cuban influenceunder the cultural guise of males having to attract attention and tease females.
This is the major point of differences between Casino and Euroking no deposit 2019 American forms of Salsa, which ascribe to the ballroom adage of "men are the picture frame while women are the picture.
There is also a Trios version in which two leads share a follow.
Additionally, several couples can come together to dance choreographed moves with changes of partners, led by a caller and known as "rueda de casino".
This last form is popular everywhere there is Cuban salsa.
In the United States, many dance schools only offer rueda de casino and ignore completely the dance of casino.
These schools often mistakenly idenfitify the dance as "casino rueda" or "salsa rueda", both incorrect terms.
By using this site, you agree to the and.
Wikipedia® is a registered trademark of thea non-profit organization.

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Co-director of CMV Con Ritmo, widely recognized internationally since 2005. Co-founder and co-director of the internacional salsa event Casino Mayan Congress in Cancun, the largest event in Mexico of its type. Reinier has taught workshops at many international events in US, Canada, Venezuela and Mexico.


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Find sources: — · · · · August 2018 Salsa training inSalsa is a popular this web page of social dance originating from United States of America U.
A regions of New York and Puerto Rico and Cuban folk dances.
The movements of Salsa are a combination of the Afro-Cuban dances, and the.
The dance, along with salsa music, saw major development in the mid-1970s in Different regions of and the United States have distinct salsa styles of their own, such as Cuban, Puerto Rican, Cali Colombia, L.
Salsa dance socials are commonly held in night clubs, bars, ballrooms, restaurants, and outside, especially when part of an outdoor festival.
In many styles of salsa dancing, as a dancer shifts their weight by stepping, the upper body remains level and nearly unaffected by the weight changes.
Weight shifts cause the hips to move.
Arm and shoulder movements are also incorporated.
Salsa generally uses music ranging from about 150 bpm beats per minute to around 250 bpm, although most dancing is done to music somewhere between 160—220 bpm.
The basic Salsa dance rhythm consists of taking three steps salsa casino social venezuela 2019 every four beats next vip slot december 2019 music.
The odd number of steps creates the syncopation inherent to Salsa dancing and ensures that it takes 8 beats of music to loop back to a new sequence of steps.
Students from perform at Culture Week Salsa evolved from forms such as Son, Son Montuno, cha cha cha, Mambo and Puerto Rican Bomba and Plena which were popular in the Caribbean, Latin America and the Latino communities in New York since the 1940s.
Salsa, like most music genres and dance styles, has gone through a lot of variation through the years and incorporated elements of other Afro-Caribbean dances such as.
Different regions of Latin America and the United States have distinct salsa styles of their own, such as Cuban, Puerto Rican, Cali Colombia.
There is some controversy surrounding the origins of the word "salsa," which has been ascribed to the dance since the mid-1800s.
Some claim that it was based on a cry shouted by musicians while they were playing their music.
Others believe that the term was created by record labels to learn more here market their music, who chose the word "salsa" because of its spicy and hot connotations.
Still, others believe the term came about because salsa dancing and music is a mixture of different styles, just like salsa or "sauce" in Latin American countries is a mixture of different ingredients.
Weight shifts cause the hips to move.
Arm and shoulder movements are also incorporated.
The dancing involves significant movement above the waist, with up-and-down shoulder movements and shifting of the ribcage.
The arms are used by the "lead" dancer to communicate this web page signal the "follower," either in "open" or "closed" position.
The open position requires the two dancers to hold one or both hands, especially for moves that involve turns, putting arms behind the back, or moving around each other, to name a few examples.
In the closed position, the leader puts the right hand on the follower's back, while the follower puts the left hand on the leader's shoulder.
In some styles of salsa, such as the New York style, the dancers remain mostly in front of one another switching placeswhile in Latin American styles, such as Cuban style, the dancers circle around each other, sometimes in 3 points.
This circular style is inspired by Cuban Son, specifically to the beat of in the 1920s.
However, as it is a popular music, it is open to improvisation and thus it is continuously evolving.
Modern salsa styles are associated and named to the original geographic areas that developed them.
There are often devotees of each of these styles outside their home territory.
Characteristics that may identify a style include: timing, basic steps, foot patterns, body movement, turns and figures, attitude, dance influences and the way that partners hold each other.
The point in a musical bar music where a slightly larger step is taken the break step and the direction the step moves can often be used to identify a style.
Incorporating other dance styling techniques into salsa dancing has become very common for both men and women: shimmies, leg work, arm work, body movement, spins, body isolations, shoulder shimmies, rolls, even hand styling, acrobatics and lifts.
Latin American styles originate fromand surrounding islands.
Salsa dancing is an international dance that can be found in most metropolitan cities in the world.
Festivals are held annually, often called a Salsa Congress, in various host cities aimed to attract variety of salsa dancers from other cities and countries.
The events bring dancers together to share their passion for the dance, build community, and to share moves and tips with each other.
These events usually include salsa dance performers, live salsa music, workshops, open dancing, and contests.
Every salsa composition involves complex Afro-Cuban percussion based around the which has four typesthough there can be moments when the clave is hidden for a while, often when quotingand.
The key instrument salsa casino social venezuela 2019 provides the core groove of a salsa song is the clave.
It is often played with two wooden sticks called that are hit together.
Every instrument in a salsa band is either playing with the clave generally: congas, timbales, piano, tres guitar, bongos, instrumentstrings or playing independent of the clave rhythm generally: bass, maracas, güiro, cowbell.
Melodic components of the music and dancers can choose to be in clave or out of clave at any point.
However it is taboo to play or dance to the wrong type of clave rhythm see.
While dancers can mark the clave rhythm directly, it is more common to do salsa casino social venezuela 2019 indirectly with, for example, a shoulder movement.
This allows the dancing itself to look very fluent as if the rest of the body is just moving untouched with the legs.
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For salsa, there are four types ofthe 3-2 and 2-3 being the most important, and the 3-2 and 2-3.
Most salsa music is played with one of the Son claves, though a Rumba clave is occasionally used, especially during sections of some songs.
As an example of how a clave fits within the 8 beats of a salsa dance, the beats of the 2-3 Son clave are played on the counts of 2, 3, 5, the "and" of 6, and 8.
There are other aspects outside the Clave that help define salsa rhythm: the cowbell, the Montuno rhythm and the Tumbao rhythm.
The cowbell rhythm emphasizes the "on-beats" of salsa: 1, 3, 5 and 7 while the conga rhythm emphasizes the "off-beats" of the music: 2, 4, 6, and 8.
Some dancers like to use the strong sound of the cowbell to stay on the Salsa rhythm.
Alternatively, others use the conga rhythm to create a jazzier feel to their dance since strong "off-beats" are a jazz element.
Tumbao is the name of the rhythm that is played with the conga drums.
It sounds like: "cu, cum.
Its most basic pattern is played on the beats 2, 3, 4, 6, 7 and 8.
Tumbao rhythm is helpful for learning to dance contra-tiempo "On2".
The beats 2 and 6 are emphasized when dancing On2, and the Tumbao rhythm heavily emphasizes those beats as well.
The Montuno rhythm is a rhythm that is often played with a piano.
The Montuno rhythm loops over the 8 counts and is useful for finding the direction of the music.
By listening to the same rhythm, salsa casino social venezuela 2019 loops back to the beginning after eight counts, one can recognize which count is the first beat of the music.
The basic Salsa dance rhythm consists of taking three steps for every four beats of music.
The odd number of steps creates the inherent syncopation to the Salsa dancing and ensures that it takes 8 beats of music to loop back to a new sequence of steps.
Different styles employ this syncopation differently.
For "On1" dancers this rhythm is described as "quick, quick, quick, pause, quick, quick, quick, pause.
However, as it is a popular music, it is open to improvisation and thus it is continuously evolving.
New modern salsa styles are associated and named to the original geographic areas that developed them.
There are often devotees of each of salsa casino social venezuela 2019 styles outside their home territory.
Characteristics that may identify a style include: timing, basic steps, foot patterns, body rolls and movements, turns and figures, attitude, dance influences and the way that partners hold each other.
The point in a musical bar music where a slightly larger step is taken the break step and the direction the step moves can often be used to identify a style.
It pretty much involves the same dancing as most versions of the salsa but has a little bit of twist added to it.
The thing that separates it and gives it its own identity is that some of the songs tie in an African language and certain African instruments that gives the songs different rhythms.
Incorporating other dance styling techniques into salsa dancing has become very common, for both men and women: shimmies, leg work, arm work, body movement, spins, body isolations, shoulder shimmies, rolls, even hand styling, acrobatics and lifts.
Latin American styles originate fromand surrounding islands including theand then expanding to, and the rest of ; Also, there exists the "Miami" style, which https://sibtao.ru/2019/tax-refund-direct-deposit-dates-2019.html a fusion of some Cuban style elements with elements of various North American dances from the USA.
Cali is also known as the "Capital de la Salsa" Salsa's Capital ; due to salsa music being the main genre in parties, nightclubs and festivals in the 21st century.
The elements of Cali-Style Salsa were strongly influenced by dances to Caribbean rhythms which preceded salsa, such as and.
Cali has the most salsa schools and salsa teams in the world.
Many of the competitions are held in Colombia.
The central feature is the footwork which has quick rapid steps and skipping motions.
Colombian style does not execute Cross-body Leads or the "Dile Que No" as seen in other styles, but rather step in place and displace in closed position.
Their footwork is intricate and precise, helping several Colombian Style dancers win major world championships.
Cali hosts many annual salsa events such as the World Salsa Cali Festival and the Encuentro de Melomanos y Coleccionistas.
Casino is popular in many places around the world, including in Europe, Latin America, North America, and even in some countries in the Middle East such as Israel.
Dancing Casino is an expression of popular social culture; Cubans consider casino as part of social and cultural activities centering on their popular music.
The name Casino is derived from the Spanish term for the dance halls, "Casinos Deportivos" where a lot of social dancing was done among the better-off, white Cubans during the mid-20th century and onward.
Historically, Casino traces its origin as a partner dance fromCha Cha Cha, Danzón and Guaracha.
Traditionally, Casino is danced "a contratiempo".
This means that, distinct from subsequent forms of salsa, no step is taken on the first and fifth beats in each clave pattern and the fourth https://sibtao.ru/2019/moncton-casino-2019.html eighth beat are emphasised.
In this way, rather than following a beat, the dancers themselves contribute in their movement, to the polyrythmic pattern of the music.
At the same time, it is often danced "a tiempo", although both "on3" originally and "on1" nowadays.
What gives the dance its life, however, is not its mechanical technique, but understanding and spontaneous use of the rich Afro-Cuban dance vocabulary within a "Casino" dance.
In the same way that a "sonero" lead singer in Son and salsa bands will "quote" other, older songs in their own, a "casino" dancer will frequently improvise references to other dances, integrating movements, gestures and real without poker deposit money passages from the folkloric and popular heritage.
This is particularly true of African descended Cubans.
Such improvisations might include extracts of rumba, dances for African deities, the older popular dances such as Cha Cha Chá and Danzon as well as anything the dancer may feel.
The major difference of Miami-style from other North American styles is the "Atras" or "Diagonal", back breaking steps performed backwards salsa casino social venezuela 2019 instead of https://sibtao.ru/2019/alex-lutz-casino-2019.html forwards and backwards as seen in the New York style.
Dancers do not shift their body weight greatly as seen in other styles.
Instead, dancers keep their upper body still, poised and relaxed while the feet execute endless intricacies.
The dancer breaks mostly On1.
A major difference of Cali Style and Miami-style is that the latter is exclusively danced on the downbeat On1 and has elements of shines and show-style added to it, following repertoires of North American Styles.
Miami-style has many adherents, particularly Cuban-Americans and other Latinos based in South Florida.
Pairs of dancers form a circle "Rueda" in Spanish means "Wheel"with dance moves called out by one person.
Many of the moves involve rapidly swapping partners.
It is not as formal as Rueda de Miami and consists of about 30 calls.
Coca-Cola, Dedo, Adios which is not found in the https://sibtao.ru/2019/platinum-play-casino-no-deposit-bonus-2019.html Cuban-style Salsa casino social venezuela 2019 />This helps prevent dancers from hitting other couples on a crowded dance floor.
It is strongly influenced by the,Mambo dancers from Mexico and Latin dancing styles.
In this pattern, the leader steps forward on 1, steps to learn more here right on 2-3 while turning 90 degrees counter-clockwise facing to the leftleaving the slot open.
The follower then steps straight forward on 5-6 and turns on 7-8, while the leader makes another 90 degrees counter-clockwise and slightly forward, coming back into the slot.
In total, the leader turned 180° while the follower alone really moved distance about 2meters.
Later dancers such asEdie Lewis, Joby Martinez and Johnny Vazquez are often credited with developing the Read article style of dancing as we know it today.
Unlike other styles of salsa, New York style is danced on the second beat of the music "on 2"and the follower, not the leader, steps forward on the first measure of the music.
The etiquette of New York Style is strict about remaining in the close dance space, and avoiding dancing in a sandbox area with a lot of spins, turns and styling.
There is greater emphasis on performing "shines" in which dancers separate themselves visit web page dance solo with intricate footwork and styling for a time—a phenomenon that likely has origins from Swing and New York Tap.
Though he did not create New York style salsa, is credited with popularizing it, and for having the follower step forward on the first beat of the first measure, followed by another step forward on the second beat to change direction the "break step".
This era is known as the "Palladium Era".
At this time, the music and dance was called "Mambo"—connoting the general term without being specific.
The most famous dancer during this era was Puerto-Rican descendantalso known "The King of Latin Beat".
Puerto Rican salsa superstars were the most important musicians during the era, such as "The Godfather" and many others.
There are also salsa artists that transcend both periods, notably the legendary Puerto Rican "The Mambo King".
These two developments create a fusion of a new salsa music and dance genre, different from its Latin American and Caribbean counterparts.
New York style salsa emphasizes harmony with the percussive instruments in salsa music, such as the congas, timbales, and clave, since many or all of those instruments often mark the second beat in the music.
Hutchinson says salsa music and dance "both originated with Cuban rhythms that were brought to New York and adopted, adapted, reformulated, and made new by the Puerto Ricans living there.
Retrieved 8 August 2018.
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April casino us 2019 largest Ina popular dance known as Casino was marketed abroad as Cuban-style salsa or Salsa Cubana to distinguish it from other salsa styles when the name was popularized in the 1970s.
Dancing Casino is an expression of popular social culture; Many Cubans consider salsa casino social venezuela 2019 a part of their social and cultural activities centering on their popular music.
The origins of the name Casino are casinos deportivos, the dance halls where a lot of read article salsa casino social venezuela 2019 was done among the better off, white Cubans during the mid-1950s and onward.
Historically, Casino traces its origin as a fromfused with partner figures and turns adopted from the, and North American.
As with Son, andit is traditionally, though less often today, danced a contratiempo.
This means that, distinct salsa casino social venezuela 2019 subsequent forms of salsa, no step is taken on the first and fifth beats in each pattern and the fourth and eighth beat are emphasised.
In this way, rather than following a beat, the dancers themselves contribute in their movement, to the pattern of the music.
What gives the dance its life, however, is not its mechanical technique, but understanding and spontaneous use salsa casino social venezuela 2019 the rich Afro-Cuban dance vocabulary within a Casino dance.
In salsa casino social venezuela 2019 same way that a sonero lead singer in Son and Salsa bands may "quote" other, older songs in their own, a Casino dancer frequently improvises references to other dances, integrating movements, gestures and extended passages from the folkloric and popular heritage.
This is particularly true of African descended Cubans.
Such improvisations might include extracts ofdances for African deities, the older popular dances such as Cha Cha Cha and Danzón as well as anything the dancer may feel.
Much of the click at this page of Casino style dancing is based on the broader Afro-Caribbean cultural context with emphasis on sexual interplay, teasing and everyday experience.
Geographically, in Latin America, Casino and its variants are danced in Cuba, theand.
It is also popular in and parts of.
This is distinctive from the North American Salsa styles which is danced in a slot two points and linear positions as taught by the North American and European dance studios.
Casino has a strong basic step known as guapea "swagger"also known as pausa, in which the male puts his left foot behind on the break, which is a contrast to the most common basic Salsa step, in which the lead places his left foot forward.
Casino styling includes men being "" and women being femininely sexy, with salsa casino social venezuela 2019 body and muscle isolations, through the influence of dancing.
During the dance, dancers often break from each other during percussion solos and perform the despelote, an advanced form of styling in which the male and female partner get physically close and tease each other without touching through the gyrating of hips and shoulders while performing muscle isolations.
The major distinction of Casino Styling is that male partners have tendencies to show off following Afro-Cuban salsa casino social venezuela 2019under the cultural guise of males having to attract attention and tease females.
This is the major point of differences between Casino and Northern American forms of Salsa, which ascribe to the ballroom adage of "men are the picture frame while women are the picture.
There is also a Trios version in which two leads share a follow.
Additionally, several couples can come together to dance choreographed moves with changes of partners, led by a caller and known as "rueda de casino".
This last form is popular everywhere there is Cuban salsa.
In the United States, many dance schools only offer rueda de casino and ignore completely the dance of casino.
These schools often mistakenly idenfitify the dance as "casino rueda" or "salsa rueda", both incorrect terms.
By using this site, you agree to the and.
Wikipedia® is a salsa casino social venezuela 2019 trademark of thea non-profit organization.

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¿Qué es la Rueda de Casino? Lea un artículo AQUI. Questo elenco fu scritto da Sergio Blanco e modificato da Ramani Nicola, il Direttore di Salsa-Casino Dance Studios a Miami intorno al 1996. In generale rappresentano i giri più comuni che si vedono nella Rueda qui nei clubs del sud della Florida.


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This article does not any.
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April 2015 Ina popular dance known as Casino was marketed abroad as Cuban-style salsa or Salsa Cubana to distinguish it from other salsa styles when the name was popularized in the 1970s.
Dancing Casino is an expression of popular social culture; Many Cubans consider casino a part of their social and cultural activities centering on their popular music.
The origins of the name Casino are casinos deportivos, the dance halls where a lot of social dancing was done among the better off, white Cubans during the mid-1950s and onward.
Historically, Casino traces its origin as a fromfused with partner figures and turns adopted from the, and North American.
As with Son, andit is traditionally, though less often today, danced a contratiempo.
This means that, distinct from subsequent forms of salsa, no step is taken on the first and salsa casino social venezuela 2019 beats in each pattern and the fourth and eighth beat are emphasised.
In this way, rather than following a beat, the dancers themselves contribute in their movement, to the pattern of the music.
What salsa casino social venezuela 2019 the dance its life, however, is not its mechanical technique, but understanding and spontaneous use of the rich Afro-Cuban dance vocabulary within learn more here Casino dance.
In the same way that a sonero lead singer in Son and Salsa salsa casino social venezuela 2019 may "quote" other, older songs in their own, a Casino dancer frequently improvises references to other dances, integrating movements, gestures and extended passages from the folkloric and popular heritage.
This is particularly true of African descended Cubans.
Such improvisations might include extracts ofdances for African deities, the older popular dances such as Cha Cha Cha and Danzón as well as anything the dancer may feel.
Much of the interplay of Casino style dancing is based on the broader Afro-Caribbean cultural context with emphasis on sexual interplay, teasing and everyday experience.
Geographically, in Latin America, Casino and its variants are danced in Cuba, theand.
It is also popular in and parts of.
This is distinctive from the North American Salsa styles which is danced in a slot two points and linear positions as taught by the North American and European anterior ligament injury studios.
Casino has a strong basic step known as guapea "swagger"also known as pausa, in which the male puts his left foot behind on the break, which is a contrast to the most common basic Salsa step, in which the lead places his left foot forward.
Casino styling includes men being "" and women being femininely sexy, with major body and muscle isolations, through the influence of dancing.
During the dance, dancers often break from each other during percussion solos and perform the despelote, an advanced form of styling in which the male and female partner get physically close and tease each other without touching through the gyrating of hips and shoulders while salsa casino social venezuela 2019 muscle isolations.
The major distinction of Casino Styling is that male partners have tendencies to show off following Afro-Cuban influenceunder the cultural guise of males having to attract attention and salsa casino social venezuela 2019 females.
This is the major point of differences between Casino and Northern American forms of Salsa, which ascribe to the ballroom adage of "men are the picture frame while women are the picture.
There is also a Trios version in which two leads share a follow.
Additionally, several couples can come together to dance choreographed moves with changes of partners, led by a caller and known as "rueda de casino".
This last form is popular everywhere there is Cuban salsa.
In the United States, many dance schools only offer rueda de casino and ignore completely the dance of casino.
These schools often mistakenly idenfitify the dance as "casino rueda" or "salsa rueda", both incorrect terms.
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April 2015 Ina popular dance known as Casino was marketed abroad as Cuban-style salsa or Salsa Cubana to distinguish it from other salsa styles when the name was popularized in the 1970s.
Dancing Casino is an expression of popular social culture; Many Cubans consider casino a part of their social and cultural activities centering on their popular music.
The origins of the name Casino are casinos deportivos, the dance halls where a lot of social dancing was done salsa casino social venezuela 2019 the better off, white Cubans during the mid-1950s and onward.
Historically, Casino traces its origin as a fromfused with partner figures and turns adopted from the, and North American.
As with Son, andit is traditionally, though less often today, danced a contratiempo.
This means that, distinct from subsequent forms of salsa, no step is taken on the first and fifth beats in each pattern and the fourth and eighth beat are emphasised.
In this way, rather than following a beat, the dancers themselves contribute in their movement, to the pattern of the music.
What gives the dance its life, however, is not its mechanical technique, but understanding and spontaneous use of the rich Afro-Cuban dance vocabulary within a Casino dance.
In the same way that a sonero lead singer in Son and Salsa bands may "quote" other, older songs in their own, a Casino dancer frequently improvises references to other dances, integrating movements, gestures and extended click at this page from salsa casino social venezuela 2019 folkloric and popular heritage.
This is particularly true of African descended Cubans.
Such improvisations might include extracts ofdances for African deities, the older popular dances such as Cha Cha Cha and Danzón as well as anything the dancer may feel.
Much of the interplay of Casino style dancing is based on the broader Afro-Caribbean cultural context with emphasis on sexual interplay, teasing and everyday experience.
Geographically, in Latin America, Casino and its variants are danced in Cuba, theand.
It is also popular in and parts of.
This is distinctive from the North American Salsa styles which is danced in a slot two points and linear positions salsa casino social venezuela 2019 taught by the North American and European dance studios.
Casino has a strong basic step known as guapea "swagger"also known as pausa, in which the male puts his left foot behind on the break, which is a click here to the most common basic Salsa step, in which the lead places his left foot forward.
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There is also a Trios version in which two leads share a follow.
Additionally, several couples can come together to dance choreographed moves with changes of partners, led by a caller and known as "rueda de casino".
This last form is popular everywhere there is Cuban salsa.
In the United States, many dance schools only offer rueda de casino and ignore completely the dance of casino.
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April 2015 Ina popular dance known as Casino was marketed abroad as Cuban-style salsa or Salsa Cubana to distinguish it from other salsa styles when the name was popularized in the 1970s.
https://sibtao.ru/2019/casino-victoria-espectaculos-2019.html Casino is an expression of popular social culture; Many Cubans consider casino a part of their social and cultural activities centering on their popular music.
The origins of the name Casino are casinos deportivos, the salsa casino social venezuela 2019 halls where a lot of social dancing was done among salsa casino social venezuela 2019 better off, white Cubans during the mid-1950s and onward.
Historically, Casino traces its origin as a fromfused with partner figures and turns adopted from the, and North American.
As with Son, andit is traditionally, though less often today, danced a contratiempo.
This means that, distinct from subsequent forms of salsa, no step is taken on the first and fifth beats in each pattern and the fourth and eighth beat are emphasised.
In this way, rather than following a beat, the dancers themselves contribute in their movement, to the pattern of the music.
What gives the dance its life, however, is not its click to see more technique, but understanding and spontaneous use of the rich Afro-Cuban dance vocabulary within a Casino dance.
In the same way that a sonero lead singer in Son and Salsa casino social venezuela 2019 bands may "quote" other, older songs in their own, a Casino dancer frequently improvises references to visit web page dances, integrating movements, gestures and extended passages from the folkloric and popular heritage.
This is particularly true of African descended Cubans.
Such improvisations might include extracts ofdances for African deities, the older popular dances such as Cha Cha Cha and Danzón as well as anything the dancer may feel.
Much of the interplay of Casino style dancing is based on the broader Afro-Caribbean cultural context with salsa casino social venezuela 2019 on sexual interplay, teasing and everyday experience.
Geographically, in Latin America, Casino and its variants are danced in Cuba, theand.
It is also popular in and parts of.
This is distinctive from the North American Salsa styles which is danced in a slot two points and linear positions as taught by the North American and European dance studios.
Casino has a strong basic step known as guapea "swagger"also known as pausa, in which the male puts his left foot behind on the break, which is a contrast to the most common basic Salsa step, in which the lead places his left foot forward.
Casino styling includes men being "" and women being femininely sexy, with major body and muscle isolations, through the influence of dancing.
During the dance, dancers often break from each other during percussion solos and perform the despelote, an advanced form of styling in which the male and female partner get physically close and tease each other without touching through the gyrating of hips and shoulders while performing muscle isolations.
The major distinction of Casino Styling is that male partners have tendencies to show off following Afro-Cuban influenceunder the cultural guise of males having to attract attention and tease females.
This is the major point of differences between Casino and Northern American forms of Salsa, which ascribe to the ballroom adage of "men are the picture frame while women are the picture.
There is also a Trios version in which two leads share a follow.
Additionally, several couples can come together to dance choreographed moves with changes salsa casino social venezuela 2019 partners, led by a caller and known as "rueda de casino".
This last form is popular everywhere there is Cuban salsa.
In the United States, many dance schools only offer rueda de casino and ignore completely the dance of casino.
These schools often mistakenly idenfitify the dance as "casino rueda" or "salsa rueda", both incorrect terms.
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Salsa is a popular form of social dance originating from U.S.A and the U.S.A territory of Puerto Rico and Cuban folk dances. The movements of Salsa are a combination of the Afro-Cuban dances Son, cha-cha-cha, Mambo, Rumba, bomba and the Danzón.


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Find sources: — · · · · August 2018 Salsa training inSalsa is a popular form of social dance originating from United States of America U.
A regions of New York and Puerto Rico and Cuban folk dances.
The movements of Salsa are a combination of the Afro-Cuban dances, and the.
The dance, along with salsa music, saw major development in the mid-1970s in Different regions of and the United States have distinct salsa styles of their own, such as Cuban, Puerto Rican, Cali Colombia, L.
Salsa dance socials are commonly held in night clubs, bars, ballrooms, restaurants, and outside, especially when part of an outdoor festival.
In many styles of salsa dancing, as a dancer shifts their weight by stepping, the upper body remains level and nearly unaffected by the weight changes.
Weight shifts cause the hips to move.
Arm and shoulder movements are also incorporated.
Salsa generally uses music ranging from about 150 bpm beats per minute to around 250 bpm, although most dancing is done to music somewhere between 160—220 bpm.
The basic Salsa dance rhythm consists of taking three steps for every four beats of music.
The odd number of steps creates the syncopation inherent to Salsa dancing and ensures that it takes 8 beats of music to loop back to a new sequence of steps.
Students from perform at Culture Week Salsa evolved from forms such as Son, Son Montuno, cha cha cha, Mambo and Puerto Rican Bomba and Plena which were popular in the Caribbean, Latin America and the Latino communities in New York since the 1940s.
Salsa, like most music genres and dance styles, has gone through a lot of variation through the years and incorporated elements of other Afro-Caribbean dances such as.
Different regions of Latin America and the United States have distinct salsa styles of their own, such as Cuban, Puerto Rican, Cali Colombia.
There is some controversy surrounding the origins of the word "salsa," which has been ascribed go here the dance since the mid-1800s.
Some claim that it was based on a cry shouted by musicians while they were playing their music.
Others believe that the term was created by record labels to better market their music, who chose the word "salsa" because of its spicy and hot connotations.
Still, others believe the term came about because salsa dancing and music is a mixture of different styles, just like salsa or "sauce" in Latin American countries is a mixture of different ingredients.
Weight shifts salsa casino social venezuela 2019 the hips to move.
Arm and shoulder movements are also incorporated.
The dancing involves significant movement above the waist, with up-and-down shoulder movements and shifting of the ribcage.
The arms are used by the "lead" dancer to communicate or signal the "follower," either in "open" or "closed" position.
The open position requires the two dancers to hold one or both hands, especially for moves that involve click, putting arms behind the back, or moving around each other, to name a few examples.
In the closed position, the leader puts the right hand on the follower's back, while the follower puts the left hand on the leader's shoulder.
In some styles of salsa, such as the New York style, the dancers salsa casino social venezuela 2019 mostly in front of one another switching placeswhile in Salsa casino social venezuela 2019 American styles, such as Cuban style, the dancers circle around each other, sometimes in 3 points.
This circular style is inspired by Cuban Son, specifically to the beat of in the 1920s.
However, as it is a popular music, it is open to improvisation and thus it is continuously evolving.
Modern salsa styles are salsa casino social venezuela 2019 and named to the original geographic areas that developed them.
There are often devotees of each of these styles outside their home territory.
Characteristics that may identify a style include: timing, basic steps, foot patterns, body movement, turns and figures, attitude, dance influences and the way that partners hold each other.
The point in salsa casino social venezuela 2019 musical bar music where a slightly larger step is taken the break step and the direction the step moves can often be used to identify a style.
Incorporating other dance styling techniques into salsa dancing has become very common for both men and women: shimmies, leg work, arm work, body movement, spins, body isolations, shoulder shimmies, rolls, even hand styling, acrobatics and lifts.
Latin American styles originate fromand surrounding islands.
Salsa dancing is an international dance that can be found in most metropolitan cities in the world.
Festivals are held annually, often called a Salsa Congress, in various host cities aimed to attract variety of salsa dancers from other cities and countries.
The events bring dancers together to share their passion for the dance, build community, and to share moves and tips with each other.
These events usually include salsa dance performers, live salsa music, workshops, open dancing, and contests.
Every salsa composition involves complex Afro-Cuban percussion based around the which has four typesthough lima casino 2019 fiesta nuevo año can be moments when the clave is hidden for a while, often when quotingand.
The key instrument that provides the core groove of a salsa song is the clave.
It is often played with two wooden sticks called that are hit together.
Every instrument in a salsa band is either playing with the slot fest kraków 2019 generally: congas, timbales, piano, tres guitar, bongos, instrumentstrings or playing independent of the clave rhythm generally: bass, maracas, güiro, cowbell.
Melodic components of the music and dancers can choose to be in clave or out of clave at any point.
However it is taboo to play or dance to the wrong type of clave rhythm see.
While dancers can mark the clave rhythm directly, it is more common to do so indirectly with, for example, a shoulder movement.
This allows the dancing itself to look very fluent as if the rest of the body is just moving untouched with the legs.
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For salsa, there are four types ofthe 3-2 and 2-3 being the most important, and the 3-2 and 2-3.
Most salsa music is played with one of the Son claves, though a Rumba clave is occasionally used, especially during sections of some songs.
As an example of how a clave fits within the 8 beats of a salsa dance, the beats of the 2-3 Son clave are played on the counts of 2, 3, 5, the "and" of 6, and 8.
There are other aspects outside the Clave that help define salsa rhythm: the cowbell, the Montuno rhythm and the Tumbao rhythm.
The cowbell rhythm emphasizes the "on-beats" of salsa: 1, 3, 5 and 7 while the conga rhythm emphasizes the "off-beats" of the music: 2, 4, 6, and 8.
Some dancers like to use the strong sound of the cowbell to stay on the Salsa rhythm.
Alternatively, others use the conga rhythm to create a jazzier feel to their dance since strong "off-beats" are a jazz element.
Tumbao is the name of the rhythm that is played with the conga drums.
It sounds like: "cu, cum.
Its most basic pattern is played on the beats 2, 3, 4, 6, 7 and 8.
Tumbao rhythm is helpful for learning to dance contra-tiempo "On2".
The beats 2 and 6 are emphasized when dancing On2, and the Tumbao rhythm heavily emphasizes those beats as well.
The Montuno rhythm is a rhythm that is often played with a piano.
The Montuno rhythm loops over the 8 counts and is useful for finding the direction of the music.
By listening to the same rhythm, that loops back to the beginning after eight counts, one can recognize which count is the first beat of the music.
The basic Salsa dance rhythm consists of taking three steps for every four beats of music.
The odd number of steps creates the inherent syncopation to the Salsa dancing and ensures that it takes 8 beats of music to loop back to a new sequence of steps.
Different styles employ this syncopation differently.
For "On1" dancers this rhythm is described as "quick, quick, quick, pause, quick, quick, quick, pause.
However, as it is a popular music, it is open to improvisation and thus it is continuously evolving.
New modern salsa styles are associated and named to the original geographic areas that developed them.
There are often devotees of each of these styles outside their home territory.
Characteristics that may identify a style include: timing, basic steps, foot patterns, body rolls and movements, turns and figures, attitude, dance influences and the way that partners hold each other.
The point in a musical bar music where a slightly larger step is taken the break step and the direction the step moves can often be used to identify a style.
It pretty much involves the same dancing as most versions of the salsa but has a little bit of twist added to it.
The thing that separates it and gives it its own identity is that some of the songs tie in an African language and certain African instruments that gives the songs different rhythms.
Incorporating other dance styling techniques into salsa dancing has become very common, for both men and women: https://sibtao.ru/2019/posh-casino-no-deposit-bonus-2019.html, leg work, arm work, body movement, spins, body read article, shoulder shimmies, rolls, even hand styling, 2019 casino alex lutz and lifts.
Latin American styles originate fromand surrounding islands including theand then expanding to, and the rest of ; Also, there exists https://sibtao.ru/2019/trucchi-slot-da-bar-2019.html "Miami" style, which is https://sibtao.ru/2019/lord-of-the-rings-slot-machine-locations-2019.html fusion of some Cuban style elements with elements of various North American dances from the USA.
Cali is also known as the salsa casino social venezuela 2019 de la Salsa" Salsa's Capital ; due to salsa music being the main genre in parties, nightclubs and festivals in the 21st century.
The elements of Cali-Style Salsa were strongly influenced by dances to Caribbean rhythms which preceded salsa, such as and.
Cali has the most salsa schools and salsa teams in the world.
Many of the competitions are held in Colombia.
The central feature is the footwork which has quick rapid steps and skipping motions.
Colombian style does not execute Cross-body Leads or the "Dile Que No" as seen in other styles, but rather step in place and displace in closed position.
Their footwork is intricate and precise, helping several Colombian Style dancers win major world championships.
Cali hosts many see more salsa events such as the World Salsa Cali Festival and the Encuentro de Melomanos y Coleccionistas.
Casino is popular in many places around the world, including in Europe, Latin America, North America, and even in some countries in the Middle East such as Israel.
Dancing Casino is an expression of popular social culture; Cubans consider casino as part of social and cultural activities centering on their popular music.
The name Casino is derived from the Spanish term for the dance halls, "Casinos Deportivos" where a lot of social dancing was done among the better-off, white Cubans during the mid-20th century and onward.
Historically, Casino traces its origin as a partner dance fromCha Cha Cha, Danzón and Guaracha.
Traditionally, Casino is danced "a contratiempo".
This means that, distinct from subsequent forms of salsa, no step is taken on the first and fifth beats in each clave pattern and the fourth and eighth beat are emphasised.
In this way, rather than following a beat, the dancers themselves contribute in their movement, to the polyrythmic pattern of the music.
At the same time, it is often danced "a tiempo", although both "on3" originally and "on1" nowadays.
What gives the dance its life, however, is not its mechanical technique, but understanding and spontaneous use of the rich Afro-Cuban dance vocabulary within a "Casino" dance.
In the same way that a read more lead singer in Son and salsa bands will "quote" other, older songs in their own, a "casino" dancer will frequently improvise references to other dances, integrating continue reading, gestures and extended passages from the folkloric https://sibtao.ru/2019/anterior-cruciate-ligament-injury.html popular heritage.
This is particularly true of African descended Cubans.
Such improvisations might include extracts of rumba, dances for African deities, the older popular dances such as Cha Cha Chá and Danzon as well as anything the dancer may feel.
The major difference of Miami-style from other North American styles is the "Atras" or "Diagonal", back breaking steps performed backwards diagonally instead of moving forwards and backwards as seen in the New York style.
Dancers do not shift their body weight greatly as seen in other styles.
Instead, dancers keep their upper body still, poised and relaxed while the feet execute endless intricacies.
The dancer breaks mostly On1.
A major difference of Cali Style and Miami-style is that the latter is exclusively danced on the downbeat On1 and has elements of shines and show-style added to it, following repertoires of North American Styles.
Miami-style has many adherents, particularly Cuban-Americans and other Latinos based in South Florida.
Pairs of dancers form a circle "Rueda" in Spanish means "Wheel"with dance moves called out by one person.
Many of the moves involve rapidly swapping partners.
It is not as formal as Rueda de Miami and consists of about 30 calls.
Coca-Cola, Dedo, Adios which is not found in the traditional Cuban-style Rueda.
This helps prevent dancers from hitting other couples on a crowded dance floor.
It is strongly influenced by the,Mambo dancers from Mexico and Latin dancing styles.
In this pattern, the leader steps forward on 1, steps to the right on 2-3 while turning 90 degrees counter-clockwise facing to the leftleaving the slot open.
The follower then steps straight forward on 5-6 and turns on 7-8, while the leader makes another 90 degrees counter-clockwise and slightly forward, coming back into the slot.
In total, the leader turned 180° while the follower alone really moved distance about 2meters.
Later dancers such asEdie Lewis, Joby Martinez https://sibtao.ru/2019/next-vip-slot-december-2019.html Johnny Vazquez are often credited with developing the LA style of dancing as we know it today.
Unlike other styles of salsa, New York style is danced on the second beat of the music "on 2"and the follower, not the leader, steps forward on the first measure of the music.
The etiquette of New York Style is strict about remaining in the close dance space, and avoiding dancing in a sandbox area with a lot of spins, turns and styling.
There is greater emphasis on performing "shines" in which dancers separate themselves and dance solo with intricate footwork and styling for a time—a phenomenon that likely has origins from Swing and New York Tap.
Though he did not create New York style salsa, is credited with popularizing it, and for having the follower step forward on the first beat of the first measure, followed by another step forward on the second beat to change direction the "break step".
This era is known as the "Palladium Era".
At this time, the music and dance was called "Mambo"—connoting the general term without being specific.
The most famous dancer during this era was Puerto-Rican descendantalso known "The King of Latin Beat".
Puerto Rican salsa superstars were the most important musicians during the era, such as "The Godfather" and many others.
There are also salsa artists that transcend both periods, notably the legendary Puerto Rican "The Mambo King".
These two developments create a fusion of a new salsa music and dance genre, different from its Latin American and Caribbean counterparts.
New York style salsa emphasizes harmony with the percussive instruments in salsa music, such as the congas, timbales, and clave, since many or all of those instruments often mark the second beat in the music.
Hutchinson says salsa music and dance "both originated with Cuban rhythms that were brought to New York and adopted, adapted, reformulated, and made new by the Puerto Ricans living there.
Retrieved 8 August 2018.
By using salsa casino social venezuela 2019 site, you agree to the and.
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April 2015 Ina popular dance known as Casino was marketed abroad as Cuban-style salsa salsa casino social venezuela 2019 Salsa Cubana to distinguish it from other salsa styles when the name was popularized in the 1970s.
Dancing Casino is an expression of popular social culture; Many Cubans consider casino a part of their social and cultural activities centering on their popular music.
The origins of the name Casino are casinos deportivos, the dance halls where a lot of social dancing was done among the better off, white Cubans salsa casino social venezuela 2019 the mid-1950s and onward.
Historically, Casino click here its origin as a fromfused with partner figures and turns adopted from alex lutz casino 2019, and North American.
As with Son, andit is traditionally, though less often today, danced a contratiempo.
This means that, distinct from subsequent forms of salsa, no step is taken on the first and fifth beats in each pattern and the fourth and eighth beat are emphasised.
In this way, rather than following a beat, the dancers themselves contribute in their movement, to the pattern of the music.
What gives the dance its life, however, is not its mechanical technique, but understanding and spontaneous use of the rich Afro-Cuban dance vocabulary within a Casino dance.
In the same way that a sonero lead singer in Son and Salsa bands may "quote" other, older songs in their own, a Casino dancer frequently improvises references to other dances, integrating movements, gestures and extended passages from salsa casino social venezuela 2019 folkloric and popular heritage.
This is particularly true of African descended Cubans.
Such improvisations might include extracts ofdances for African deities, the older popular dances such as Cha Cha Cha and Danzón as well as anything the dancer may feel.
Much of the interplay of Casino style dancing is based on the broader Afro-Caribbean cultural context with emphasis on sexual interplay, teasing and everyday experience.
Geographically, in Latin America, Casino and its variants are danced in Cuba, theand.
It is also popular in and parts of.
This is salsa casino social venezuela 2019 from the North American Salsa styles which is danced in a slot two points and linear positions as taught by the North American and European dance studios.
Casino has a strong basic step known as guapea "swagger"also known as pausa, in which the male puts his left foot behind on the break, which is a contrast to the most common basic Salsa step, in which the lead places his left foot forward.
Casino styling includes men being "" and women being femininely sexy, with major body and muscle isolations, through the influence of dancing.
During the dance, dancers often break from each other during percussion solos and perform the despelote, an advanced form of styling in which the male and female partner get physically close and tease each other without touching through the gyrating of hips and shoulders while performing muscle isolations.
The major distinction of Casino Styling is that male partners have tendencies to show off following Afro-Cuban influence slott 2019 ed solution, under the cultural guise of males having to attract attention this web page tease females.
This is the major point of differences between Casino and Northern American forms of Salsa, which ascribe to the ballroom adage of "men are the picture frame while women are the picture.
There is also a Trios version in which two continue reading share a follow.
Additionally, several couples can come together to dance choreographed moves with changes of partners, led by a caller and known as "rueda de casino".
This last form is popular everywhere there is Cuban salsa.
In the United States, many dance schools only offer rueda de casino and ignore completely the dance of casino.
These schools often mistakenly idenfitify the dance as "casino rueda" or "salsa rueda", both incorrect terms.
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Salsa (dance) - Wikipedia
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Find sources: — · · · · August 2018 Salsa training inSalsa is a popular form of social dance originating from United States of America U.
A regions of New York and Puerto Rico and Cuban folk dances.
The movements of Salsa are a combination of the Afro-Cuban dances, and the.
The dance, along with salsa music, saw major development in the mid-1970s in Different regions of and the United States have distinct salsa styles of their own, such as Cuban, Puerto Rican, Cali Colombia, L.
Salsa dance socials are commonly held in night clubs, bars, ballrooms, restaurants, and outside, especially when part of an outdoor festival.
In many styles of salsa dancing, as a dancer shifts their weight by stepping, the upper body remains level and nearly unaffected by the weight changes.
Weight shifts cause the hips to move.
Arm and shoulder movements are also incorporated.
Salsa generally uses music ranging from about 150 bpm beats per minute to around 250 bpm, although most dancing is done to music somewhere between 160—220 bpm.
The basic Salsa dance rhythm consists of taking three steps for every four beats of music.
The odd number of steps creates the syncopation inherent to Salsa dancing and ensures that it takes 8 beats of music to loop back to a new sequence of steps.
Students from perform at Culture Week Salsa evolved from forms such as Son, Son Montuno, cha cha cha, Mambo and Puerto Rican Bomba and Plena which were popular in the Caribbean, Latin America and the Latino communities in New York since the 1940s.
Salsa, like most music genres and dance styles, has gone through a lot of variation through the years and incorporated elements of other Afro-Caribbean dances such as.
Different regions of Latin America and the United States have distinct salsa styles of their own, such as Cuban, Puerto Rican, Cali Colombia.
There is some controversy surrounding the origins of the word "salsa," which has been ascribed to the dance since the mid-1800s.
Some claim that it was based on a cry shouted by musicians while they were playing their music.
Others believe that the salsa casino social venezuela 2019 was created by record this web page to better market their music, who chose the word "salsa" because of its spicy and hot connotations.
Still, others believe the term came about because salsa dancing and music is a mixture of different styles, just like salsa or "sauce" in Latin American countries is a mixture check this out different ingredients.
Weight shifts cause the hips to move.
Arm and shoulder movements are also incorporated.
The dancing involves significant movement above the waist, with up-and-down shoulder movements and shifting of the ribcage.
The arms are used by the "lead" dancer to communicate or signal the "follower," either in "open" or "closed" position.
The open position requires the two dancers to hold one or both hands, especially for moves that involve turns, putting arms behind the back, or moving around each other, to name a few examples.
In the closed position, the leader puts the right hand on the follower's back, while the follower puts the left hand on the leader's shoulder.
In some styles of salsa, such as the New York style, the dancers remain mostly in front of one another switching placeswhile in Latin American styles, such as Cuban style, the dancers circle around each other, sometimes in 3 points.
This circular style is inspired by Cuban Consider, slotomania 2019 words, specifically to the beat of in the 1920s.
However, as it is a popular music, it is open to improvisation and thus it is continuously evolving.
Modern salsa styles are associated and named to the original geographic areas that developed them.
There are often devotees of each of these styles outside their home territory.
Characteristics that may identify a style include: timing, basic steps, foot patterns, body movement, turns and figures, attitude, dance influences and the way that partners hold each other.
The point in a musical bar music where a slightly larger step is taken the break step and the direction the step moves can often be used to identify a style.
Incorporating other dance styling techniques into salsa dancing has become very common for both men and women: shimmies, leg work, arm work, body movement, spins, body isolations, shoulder shimmies, rolls, even hand styling, acrobatics and lifts.
Latin American styles originate fromand surrounding islands.
Salsa dancing is an international dance that can be found in most metropolitan cities in the world.
Festivals are held annually, often called a Salsa Congress, in various host cities aimed to attract variety of salsa dancers from other cities and countries.
The events bring dancers together to share their passion for the dance, build community, and to share moves and tips with each other.
These events usually include salsa dance performers, live salsa music, workshops, open dancing, and contests.
Every salsa composition involves complex Afro-Cuban percussion based around the which has four typesthough there can be moments when the clave is hidden for a while, often when quotingand.
The key instrument that provides the core groove of a salsa song is the clave.
It is often played with two wooden sticks called that are hit together.
Every instrument in a salsa band is either playing with the clave generally: congas, timbales, piano, tres guitar, bongos, instrumentstrings or playing independent of the clave rhythm generally: bass, maracas, güiro, cowbell.
Melodic components of the music and dancers can choose to be in clave or out of clave at any point.
However it is taboo to play or dance to the wrong type of clave rhythm see.
While dancers can mark the clave rhythm directly, it is more common to do so indirectly with, for example, a shoulder movement.
This allows the dancing itself to look very fluent as if the rest of the body is just moving untouched with the legs.
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For salsa, there are four types ofthe 3-2 and 2-3 being the most important, and the 3-2 and 2-3.
Most salsa music is played with one of the Son claves, though a Rumba clave is occasionally used, especially during sections of some songs.
As an example of how a clave fits within the 8 beats of a salsa dance, the beats of the 2-3 Son clave are played on the counts of 2, 3, 5, the "and" of 6, and 8.
There are other aspects outside the Clave that help define salsa rhythm: the cowbell, the Montuno rhythm and the Tumbao rhythm.
The cowbell rhythm emphasizes the "on-beats" of salsa: 1, 3, 5 and 7 while the conga rhythm emphasizes the "off-beats" of the music: 2, 4, 6, and 8.
Some dancers like to use the strong sound of the cowbell to stay on the Salsa rhythm.
Alternatively, others use the conga rhythm to create a jazzier feel to their dance since strong "off-beats" are a jazz element.
Tumbao is the name of the rhythm that is played with the conga drums.
It sounds like: "cu, cum.
Its most basic pattern is played on the beats 2, 3, 4, 6, 7 and 8.
Tumbao rhythm is helpful for learning to dance contra-tiempo "On2".
The beats 2 and 6 are emphasized when dancing On2, and the Tumbao rhythm heavily emphasizes those beats as well.
The Montuno rhythm is a rhythm that is often played with a piano.
The Montuno rhythm loops over the 8 counts and is useful for finding the direction of the music.
By listening to the same rhythm, that loops back to the beginning after eight counts, one can recognize which count is the first beat of the music.
The basic Salsa dance rhythm consists of taking three steps for every four beats of music.
The odd number of steps creates the inherent syncopation to the Salsa dancing and ensures that it takes 8 beats of music to loop back to a new sequence of steps.
Different styles employ this syncopation differently.
For "On1" dancers this rhythm is described as "quick, quick, quick, pause, quick, quick, quick, pause.
However, as it is a popular music, it is open to improvisation and thus it is continuously evolving.
New modern salsa styles are associated and named to the original geographic areas that developed them.
There are often devotees of each of these styles outside their home territory.
Characteristics that may identify a style include: timing, basic steps, foot patterns, body rolls and movements, turns and figures, attitude, dance influences and the way that partners hold each other.
The point in a musical bar music where a slightly larger step is taken the break step and the direction the step moves can often be used to identify a style.
It pretty much involves the same dancing as most versions of the salsa but has a little bit of twist added to it.
The thing that separates it and gives it its own identity is that some of the songs tie in an African language and certain African instruments that gives the songs different rhythms.
Incorporating other dance styling techniques visit web page salsa dancing has become very common, for both men and women: shimmies, leg work, arm work, body movement, spins, body isolations, shoulder shimmies, rolls, even hand styling, acrobatics and lifts.
click to see more American styles originate fromand surrounding islands including theand then expanding to, and the rest of ; Also, there exists the "Miami" style, which is a fusion of some Cuban salsa casino social venezuela 2019 elements with elements of various North American dances from the USA.
Cali is also known as the "Capital de la Salsa" Salsa's Capital ; due to salsa music being the main genre in parties, nightclubs and festivals in the 21st century.
The elements of Cali-Style Salsa were strongly influenced by dances to Caribbean rhythms which preceded salsa, such as and.
Cali has the most salsa schools and salsa teams in the world.
Many of the competitions are held in Colombia.
The central feature is the footwork which has quick rapid steps and skipping motions.
Colombian style does not execute Cross-body Leads or the "Dile Que No" as seen in other styles, but rather step in place and displace in closed position.
Their footwork is intricate and precise, helping several Colombian Style dancers win major world championships.
Cali hosts many annual salsa events such as the World Salsa Cali Festival and the Encuentro de Melomanos y Coleccionistas.
Casino is popular in many places around the world, including in Europe, Latin America, North America, and even in some countries in the Middle East such as Israel.
Dancing Casino is an expression of popular social culture; Cubans consider casino as part of social and cultural activities centering on their popular music.
The name Casino is derived from the Spanish term for the dance halls, "Casinos Deportivos" where a lot of social dancing was done among the better-off, white Cubans during the mid-20th century and onward.
Historically, Casino traces its origin as a partner dance fromCha Cha Cha, Danzón and Guaracha.
Traditionally, Casino is danced "a contratiempo".
This means that, distinct from subsequent forms of salsa, no step is taken on the first and fifth beats in each clave pattern and the fourth and eighth beat are emphasised.
In this way, rather than following a beat, the dancers themselves contribute in their movement, to the polyrythmic pattern of the music.
At the same time, it is often danced "a tiempo", although both "on3" originally and "on1" nowadays.
What gives the dance its life, however, is not its mechanical technique, but understanding and spontaneous use of the rich Afro-Cuban dance vocabulary within a "Casino" dance.
In the same way that a "sonero" lead singer in Son and salsa bands will "quote" other, older songs in their own, a "casino" dancer will frequently improvise references to other dances, integrating movements, gestures and extended passages from the folkloric and popular heritage.
This is particularly true of African descended Cubans.
Such improvisations might include extracts of just click for source, dances for African deities, the older popular dances such as Cha Cha Chá and Danzon as well as anything the dancer may feel.
The major difference of Miami-style from other North American styles is the "Atras" or visit web page, back breaking steps performed backwards diagonally instead of moving forwards and backwards as seen in the New York style.
Dancers do not shift their body weight greatly as seen in other styles.
Instead, dancers keep their upper body still, poised and relaxed while the feet execute endless intricacies.
The dancer breaks mostly On1.
A major difference of Cali Style and Miami-style is that the latter is exclusively danced on the downbeat On1 and has elements of shines and show-style added to it, following repertoires of North American Styles.
Miami-style has many adherents, particularly Cuban-Americans and other Latinos based in South Florida.
Pairs of dancers form a circle "Rueda" in Spanish means "Wheel"with dance moves called out by one person.
Many of the moves involve rapidly swapping partners.
It is not as formal as Rueda de Miami and consists of about 30 calls.
Coca-Cola, Dedo, Adios which is not found in the traditional Cuban-style Rueda.
This helps prevent dancers from hitting other couples on a crowded dance floor.
It is strongly influenced by the,Mambo dancers from Mexico and Latin dancing styles.
In this pattern, the leader steps forward on 1, steps to the right on 2-3 while turning 90 degrees counter-clockwise facing to the leftleaving the slot open.
The follower then steps straight forward on 5-6 and turns on 7-8, while the leader makes another 90 degrees counter-clockwise and slightly forward, coming back into the slot.
In total, the leader turned 180° while the follower alone really moved distance about 2meters.
Later dancers such asEdie Lewis, Joby Martinez and Johnny Vazquez are often credited with developing the LA style of dancing as we know it today.
Unlike other styles of salsa, New York style is danced on the second beat of the music "on 2"and the follower, not the leader, steps forward on the first measure of the music.
The etiquette of New York Style is strict about remaining in the close dance space, and avoiding dancing in a sandbox area with a lot of spins, turns and styling.
There is greater emphasis on performing "shines" in which dancers separate themselves and dance solo with intricate footwork and styling for a time—a phenomenon that likely has origins from Swing and New York Tap.
Though he did not create New York style salsa, is credited with popularizing it, and for having the follower step forward on the first beat of the first measure, followed by another step forward on the second beat to change direction the "break step".
This era is known as the "Palladium Era".
At this time, the music and dance was called "Mambo"—connoting the general term without being specific.
The most famous dancer during this era was Puerto-Rican descendantalso known "The King of Latin Beat".
Puerto Rican salsa superstars were the most important musicians salsa casino social venezuela 2019 the era, such as "The Godfather" and many others.
There are also salsa casino social venezuela 2019 artists that transcend both periods, notably the legendary Puerto Rican "The Mambo King".
These two developments create a fusion of a new salsa music and dance genre, different from its Latin American and Caribbean counterparts.
New York style salsa emphasizes harmony with the percussive instruments in salsa music, such as the congas, timbales, and clave, since many or all of those instruments often mark the second beat in the music.
Hutchinson says salsa music and dance "both originated with Cuban rhythms that were brought to New York and adopted, adapted, reformulated, and made new by the Puerto Ricans living there.
Retrieved 8 August 2018.
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